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The Strain: Book One of The Strain Trilogy |  | Authors: Guillermo Del Toro, Chuck Hogan Publisher: William Morrow Category: Book
List Price: $26.99 Buy New: $6.90 as of 3/11/2010 16:05 CST details You Save: $20.09 (74%)
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Seller: my-bookmarket Rating: 256 reviews Sales Rank: 10622
Media: Hardcover Edition: 1 Pages: 416 Number Of Items: 1 Shipping Weight (lbs): 20.2 Dimensions (in): 9.4 x 6.2 x 1.2
ISBN: 0061558230 Dewey Decimal Number: 813.6 EAN: 9780061558238 ASIN: 0061558230
Publication Date: June 2, 2009 Availability: Usually ships in 1-2 business days
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| • | ISBN13: 9780061558238 | | • | Condition: NEW | | • | Notes: Brand New from Publisher. No Remainder Mark. |
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Product Description
A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold. In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . . So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his citya city that includes his wife and sonbefore it is too late.
Amazon.com Review
Amazon Best of the Month, June 2009: Who better to reinvent the vampire genre than Guillermo Del Toro, the genius behind Pan's Labyrinth, and Chuck Hogan, master of character-driven thrillers like Prince of Thieves? The first of a trilogy, The Strain is everything you want from a horror novel--dark, bloody, and packed full of mayhem and mythology. But, be forewarned, these are not like any vampires you've met before--they're not sexy or star-crossed or "vegetarians"--they are hungry, they are connected, and they are multiplying. The vampire virus marches its way across New York, and all that stands between us and a grotesque end are a couple of scientists, an old man with a decades-old vendetta, and a young boy. This first installment moves fast and sets up the major players, counting down to the beginning of the end. Great summer reading. --Daphne Durham
Book Description  The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event. The Strain They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come. In one week, Manhattan will be gone. In one month, the country. In two months--the world. A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold. In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . . So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city--a city that includes his wife and son--before it is too late. The Strain: Chapter One "Once upon a time," said Abraham Setrakian’s grandmother, "there was a giant." Young Abraham’s eyes brightened, and immediately the cabbage borscht in the wooden bowl got tastier, or at least less garlicky. He was a pale boy, underweight and sickly. His grandmother, intent on fattening him, sat across from him while he ate his soup, entertaining him by spinning a yarn. A bubbeh meiseh, a "grandmother’s story." A fairy tale. A legend. "He was the son of a Polish nobleman. And his name was Jusef Sardu. Master Sardu stood taller than any other man. Taller than any roof in the village. He had to bow deeply to enter any door. But his great height, it was a burden. A disease of birth, not a blessing. The young man suffered. His muscles lacked the strength to support his long, heavy bones. At times it was a struggle for him just to walk. He used a cane, a tall stick--taller than you--with a silver handle carved into the shape of a wolf’s head, which was the family crest." "Yes, Bubbeh?" said Abraham, between spoonfuls. "This was his lot in life, and it taught him humility, which is a rare thing indeed for a nobleman to possess. He had so much compassion-- for the poor, for the hardworking, for the sick. He was especially dear to the children of the village, and his great, deep pockets--the size of turnip sacks--bulged with trinkets and sweets. He had not much of a childhood himself, matching his father’s height at the age of eight, and surpassing him by a head at age nine. His frailty and his great size were a secret source of shame to his father. But Master Sardu truly was a gentle giant, and much beloved by his people. It was said of him that Master Sardu looked down on everyone, yet looked down on no one." She nodded at him, reminding him to take another spoonful. He chewed a boiled red beet, known as a "baby heart" because of its color, its shape, its capillary-like strings. "Yes, Bubbeh?" "He was also a lover of nature, and had no interest in the brutality of the hunt--but, as a nobleman and a man of rank, at the age of fifteen his father and his uncles prevailed upon him to accompany them on a six-week expedition to Romania." "To here, Bubbeh?" said Abraham. "The giant, he came here?" "To the north country, kaddishel. The dark forests. The Sardu men, they did not come to hunt wild pig or bear or elk. They came to hunt wolf, the family symbol, the arms of the house of Sardu. They were hunting a hunting animal. Sardu family lore said that eating wolf meat gave Sardu men courage and strength, and the young master’s father believed that this might cure his son’s weak muscles." "Yes, Bubbeh?" "Their trek was long and arduous, as well as violently opposed by the weather, and Jusef struggled mightily. He had never before traveled anywhere outside his family’s village, and the looks he received from strangers along the journey shamed him. When they arrived in the dark forest, the woodlands felt alive around him. Packs of animals roamed the woods at night, almost like refugees displaced from their shelters, their dens, nests, and lairs. So many animals that the hunters were unable to sleep at night in their camp. Some wanted to leave, but the elder Sardu’s obsession came before all else. They could hear the wolves, crying in the night, and he wanted one badly for his son, his only son, whose gigantism was a pox upon the Sardu line. He wanted to cleanse the house of Sardu of this curse, to marry off his son, and produce many healthy heirs. "And so it was that his father, off tracking a wolf, was the first to become separated from the others, just before nightfall on the second evening. The rest waited for him all night, and spread out to search for him after sunrise. And so it was that one of Jusef’s cousins failed to return that evening. And so on, you see." "Yes, Bubbeh?" "Until the only one left was Jusef, the boy giant. That next day he set out, and in an area previously searched, discovered the body of his father, and of all his cousins and uncles, laid out at the entrance to an underground cave. Their skulls had been crushed with great force, but their bodies remained uneaten--killed by a beast of tremendous strength, yet not out of hunger or fear. For what reason, he could not guess—though he did feel himself being watched, perhaps even studied, by some being lurking within that dark cave. "Master Sardu carried each body away from the cave and buried them deep. Of course, this exertion severely weakened him, taking most of his strength. He was spent, he was farmutshet. And yet, alone and scared and exhausted, he returned to the cave that night, to face what evil revealed itself after dark, to avenge his forebears or die trying. This is known from a diary he kept, discovered in the woods many years later. This was his last entry." Continue Reading The Strain
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| Customer Reviews: A Horror Techno-thriller! March 2, 2010 Andrew Valentine (New York) I'm not finished reading this book yet, so my review is still a little premature -- but WOW! I LOVE The Strain! It's creepy and engaging. The characters are compelling, and the research...! It reads like a cross between a techno-thriller and Stephen King / Dean Koontz horror.
Again, I'm still reading this so anything might happen by the end, but right now I'm so glad it's a trilogy.
(And here's my opportunity to brag about myself and say why you might be interested in my opinion: I'm a professional horror writer. Bitter Things, my debut vampire novel, was released last year.)
Oops February 21, 2010 Bargain Hunter 0 out of 1 found this review helpful
I was reading a review I did of another book where I mention I was going to read "The Strain" and then do a review. Well, I did read it but I forgot to do the review and now I can barely remember what the book was even about. I don't think that's good.
Very good read though not perfect February 3, 2010 Philip C. Perron (New England, USA) 0 out of 1 found this review helpful
I avoided this book for so long because it seemed like a movie director had a "ghost writer" to help write a book for him. Plus the novel was heavily pushed by the publisher and the large book stores to the point of over saturation while using Del Toro's name as the main selling point. Okay, so fine, a guy that never wrote a book gets a book published hardcover and in such large amounts, but then again Chuck Hogan wrote this too so maybe it is more than a gimmick giving Del Toro a chance to enter a new type of media. Anyways, enough with this point. My friend read it and recommended it so I figured to finally check it out just now ... and am glad, it was a good read indeed though with some flaws.
The book starts out with an international flight landing in the greater NYC area, but then it simply "dies" on the runway with no communication from the crew or any passengers by cell phones. This begins a mystery that drags in the CDC (disease federal agency) with a possible terrorist act by biological means or maybe some odd disease wiping out an entire passenger list but four folks. Anyways, with all the Amazon reviews never mind the published reviews, everyone knows and will soon discover it is actually a vampire "virus" spread by a vampire that is part of a group of seven "old timers" or Masters that decides to break a truce with them (and therefore mankind) and try to take over the world or cause a Gotterdammerung (end of days) ... we, the reader, are not quite sure just yet (this is the first book in a trilogy).
The general: This is a twist on the vampire mythos where vampires and their disease are actually a form of virus or disease rather than that of the supernatural (though with the "flaws" mentioned by other reviewers, one wonders if in a future book of the trilogy it is a combination of disease and supernatural since the science doesn't work sometimes with the vampire mythos kept in the book). This has been done by the Swedish novel Let The Right One In already in a much smaller scale. The main difference, besides the virus aspect of the plague, is that the vampire is not based on religion and has nothing to do with God or the devil or anything based on any religion or the occult either. This may be new in a sense but forget crosses, priests, and anything you are familiar with.
The good: The book definitely is a page turner. It reads pretty easily like a Lincoln/Preston book and made me think of their style. There is a great build up of suspense which moves the book forward allowing the reader to remain on their toes. With that said, the first 1/3 of the book is by far the most fulfilling for the reader. The rest however is good too though as suspense turns to action, the book definitely becomes more of a standard novel with less originality than prior (though this is not necessarily a bad thing). One character however who I thought was simply the side kick good guy that was to be killed off at the end of the book did not actually die ... that actually was great since he was the most interesting character and it didn't result in the typical sacrificial character you always have in these type of books.
The bad: The characters are too stock. First off we get the back stories of cardboard main characters. Our "hero" is a doctor fighting for custody of his child still wishing for the past, having at one point in his life turning to drink, fighting a possibly corrupt bureaucracy, pining for the love of his ex-wife (why, since she is a horrible character) etc. etc. etc. We have another major character being an ex-Treblinka survivor (done before in all genres), who has lived his life in search of battling the "beast" he has known from his childhood, etc. etc. etc. A wealthy businessman that wants more than money and power; the evil human, etc., etc., etc. Another issue is that the Master vampire somehow and some reason thinks the doctor is somehow a bigger threat than someone in his position would think so the change from suspense to action kind of was a tough transition and occurred far too quickly when it did begin. Some of the story was way too coincidental (i.e. the character Gus is first to have some sort of contact with the Master, then randomly is the first to fight a vampire, then randomly happens to land in the same jail cell as our ex-Treblinka survivor, and so forth). So a bit of suspension of reality has to be done by the reader otherwise a bit of irritation will happen causing the reader to be annoyed with the story rather than enjoying it. And lastly, and the most annoying issue with the book is that many of the characters have absolutely ridiculous first names. Okay so this doesn't affect the story or plot but one has to wonder where the authors' heads were.
Conclusion: Flaws or not, this book was a really good and quick read. Though not truly original and with some flaws with both science and vampire mythos, it brought what one who likes horror (or even thrillers) want: a very suspenseful enjoyable read letting the reader cheer for many of the characters (especially the non-lead characters) and their struggle. Recommended.
Surprising take on vampires January 31, 2010 C. Grunert (Milwaukee, Wi) 1 out of 1 found this review helpful
I had read a few reviews of this novel and thought, another vampire novel? Do we really need one? This book is a different take on the genre and is supposed to be a part of a trilogy and I can't wait for the next two. Surprising suspenseful, I could not put it down. It all starts with a plane coming in to the NY airport with 200 dead passengers and keeps you guessing from then on. And the ending will help you prepare for the second book. I highly recommend it. "Twilight" it is not! amd that is a good thing!
It's not revolutionary, it's mediocre. With tons of logic flaws. January 26, 2010 Steven Diamond (Utah, USA) 3 out of 3 found this review helpful
No spoilers.
Have you ever watched the movie 28 DAYS LATER? The basic plot is that a virus gets loose among the population of England. This virus turns people into rage-crazed zombies, whose blood, when given to a non-exposed person, turns them into a zombie within 30 seconds. Essentially, in the movie, we see the initial release of the virus, and then we cut to 28 days later and the aftermath of the spread of the virus.
THE STRAIN, by Guillermo Del Toro and Chuck Hogan, follows this basic premise, only instead of zombies we get vampires. It's difficult to say if I liked this book or not. It has promise, and it has the monster version of vampires, so that's good right? Well yeah, kinda. THE STRAIN begins with a plane touching down and then going completely dark. One second the pilots are chatting with Air Traffic Control, and the next nobody can raise them on any channel. They call the CDC in to check out the situation. When they board the plane, everyone is dead (see where this is going?). The first gap in logic is here. All the main characters--the main one, Eph, is from the CDC--comment that all the people on the plane seem to have just taken death peacefully. Considering the fight people put up later in the novel when being attacked by vampires, it is never explained why these 200+ passengers just said, "Sweet, take my blood!"
The marketing on the book states that Del Toro and Hogan have reinvented the vampire. This is simply not true. A virus/parasite that creates vampires has been done (see I AM LEGEND and NECROSCOPE...kinda). Really, there is nothing new here, other than a thin attempt to link a biological agent to most of the general mythology of vampirism. There is no effort taken in this novel to explain why a silver-backed mirror can show the true nature of the vampire. There is no effort made to explain how this biological agent relates to the fact that vampires can't cross running water (much less a freaking ocean). The ending itself (which deals with a major vampire myth) is where the huge problem, and an intentional logic gap occurs--though I can't tell you it what it is without ruining the ending. Also, the logic the characters follow that goes from "this is a virus" to "let's behead everything!" happens in the span of a paragraph. One of our main characters is an old man with a heart condition, who had all of the bones in his hands crushed (and NEVER ATTENDED TO), yet he can easily grip the handle of a sword, and DECAPITATE vampires with one swing...like cutting through butter. Yeah. Like I said: thin. And really, these are just a few examples.
Now, it can be easy for many readers to ignore these things, and if you can, the story progression can be a fun, popcorn-novel ride. And to be fair, THE STRAIN is book 1 in a trilogy. For all I know, every single plot hole and logic flaw will be answered in later novels. But they should have been addressed in THIS novel. The writing isn't bad, and the action can be GREAT. In fact, there are some moments where I could absolutely visualize the scenes, and it creeped me out. But therein lies the crux of the situation: a lot of this novel feels like Del Toro work-shopping a screen-play to his potential viewers. This would normally be fine, as Del Toro is awesome. But this is a book, and it needs to have the feel of a book, not a screen-play. I wanted to like this novel SOOOOOOOO bad, but it just wouldn't let me.
Look, if you can turn your brain off, THE STRAIN is a fun novel that ends with nothing resolved. I would recommend that you wait till you can get it for a cheap as possible, or until future volumes come out. However, if you think too hard here (or, really, at all), you will punch holes through the plot and characters like they are tissue paper. The decision is yours. All this said, I am relieved that the vampires are monsters. This is a step back in the right direction.
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